Memories Of El Monte (Live from the Whisky 1968) – The Mothers of Invention*.“The Reason We Have Stayed Together…” – Frank Zappa interview with Warren Duffy / WMEX Boston, MA – January 31, 1969*.How Could I Be Such A Fool? (from MYSTERY DISC) – Frank Zappa.You Didn’t Try To Call Me (Basic Tracks) (from THE MOFO PROJECT/OBJECT) – Frank Zappa & The Mothers of Invention.Motherly Love (from FREAK OUT!) – The Mothers of Invention.Everytime I See You – The Heartbreakers^.
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You’re Probably Wondering Why I’m Here (from FREAK OUT!) – The Mothers of Invention.Anyway The Wind Blows (from FREAK OUT!) – The Mothers of Invention.
Jojo the high road deluxe edition tracklist archive#
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Showcasing 69 total songs, there are 12 previously unreleased recordings from the Zappa archive along with his 1978 Saturday Night Live performance 24 additional Zappa songs from his extensive catalogue spanning four decades songs from Zappa’s labels Straight / Bizarre Records like “No Longer Umpire” by Alice Cooper and “The Captain’s Fat Theresa Shoes” by The GTO’s 2 classical compositions by Edgard Varese and Igor Stravinsky and 26 Original Score cues newly composed by John Frizzell for the documentary – all of which give the universe a sonic exploration into the musical brilliance of Frank Zappa. The soundtrack is a perfect complement to the film available as a 5-LP 180-gram black vinyl set for the Zappa completist. Alex Winter’s assembly features appearances by Frank’s widow Gail Zappa and several of Frank’s musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others. While Jojo may not be taking a career road less traveled, The High Road does make time for some surprising and memorable pit stops along the way.With unfettered access to the Zappa Trust and all archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Similarly, "Good Ol'" is the best summer anthem ever to see release in the fall, and "'Comin' for You" smartly borrows some of Kelly Clarkson's rock energy. Cuts such as the gorgeous and dreamy "Like That" and "Anything," with its unexpectedly hip sampling of Toto's "Africa," make for gleefully enjoyable guilty pleasures.
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Coming off as a kind of urbanized Jennifer Aniston with the chops of Beyoncé, Jojo is an assured and likeable performer who can somehow embody the yin-yang persona of a suburban cheerleader slinging hip-hop attitude, as she does in the video for the ridiculously overwrought and utterly addictive lead-off single, "Too Little Too Late." It also helps that she's matured just enough so that her somewhat sexy persona makes a bit more sense now than it did in 2004, and she easily sells the cheeky and raw dance-funk of such tracks as "This Time" and "The Way You Do Me." However, it's the blissfully melodic ballads and mid-tempo anthems that make the biggest impression here. These are well-written, catchy pop songs with a healthy dose of hip-hop rhythm that serve as solid launching pads for Jojo's superb vocal abilities. What may be a surprise is that it is really, really good. Featuring production and songs by such in demand hitmakers as Swizz Beatz, Soulshock, and Scott Storch - the man who made Paris Hilton sound good - it should come as little surprise that The High Road is a commercially oriented, radio-friendly contemporary pop-R&B album. To say that the release of her 2006 sophomore effort, The High Road, finds Jojo on the cusp of superstardom is a bit of an understatement. Released when she was just 13 years old, vocalist Jojo's 2004 eponymous debut was a bona fide hit album and garnered the young pop star a legion of equally youthful fans, as well as lead roles in two films, including the 2006 comedy RV alongside Robin Williams.